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This multicultural and international survey of artists' videotapes reflects the extraordinary richness and diversity of independent media art production from the late 1960s to the early 1990s. Presenting video's current investigations as well as milestones in its historical evolution, this volume resonates with the dynamic, often radical forms and strategies that define video as one of the most provocative modes of contemporary artistic practice. Included are more than 1,500 works by over 120 artists from the United States, Europe, Latin America, Australia, and Japan. From Vito Acconi's psychodramatic performance monologues to Julie Zando's analytical narratives of sexuality and power, Artists' Video: An International Guide offers important examples of virtually every area of inquiry that has engaged independent videomakers in the past twenty-five years. Although not intended as the definitive history of video art, this volume, through its close look at the artists and their works, inevitably traces the major thematic and technical developments and directions that have distinguished video as an art form. Experimental narrative, media critique, technological documentary, "guerrilla television", and performance and conceptual exercises are among the many genres represented in the Electronic Arts Intermix collection of artists' videotapes--one of the most extensive and significant in the world--upon which this survey is based. Video art's influential pioneers and major innovators--Nam June Paik, Bill Viola, Dara Birnbaum, William Wegman, Joan Jonas, Peter Campus, Vito Acconci, and the Vasulkas, for example--are at the center of the presentation. Contributions from well-known figures suchas Jean-Luc Godard, John Baldessari, and Robert Wilson directly reflect video's relationship to the cinema, the visual arts, and avant-garde theater. Dynamic works by young artists and activists bring video art into the 1990s.

The American public has consistently declared itself less concerned with foreign affairs in the post-ColdWar era, even after 9/11, than at any time since World War II. How can it be, then, that public attentiveness to U.S. foreign policy crises has increased? This book represents the first systematic attempt to explain this apparent paradox. Matthew Baum argues that the answer lies in changes to television's presentation of political information. In so doing he develops a compelling "byproduct" theory of information consumption. The information revolution has fundamentally changed the way the mass media, especially television, covers foreign policy. Traditional news has been repackaged into numerous entertainment-oriented news programs and talk shows. By transforming political issues involving scandal or violence (such as attacks on America) into entertainment, the "soft news" media have actually captured more viewers who will now follow news about foreign crises, due to its entertainment value, even if they remain uninterested in foreign policy. Baum rigorously tests his theory through content analyses of traditional and soft news media coverage of various post-WWII U.S. foreign crises and statistical analyses of opinion surveys. The results hold key implications for the future of American politics and foreign policy. For instance, watching soft news reinforces isolationism among many inattentive Americans, Scholars, political analysts, and even politicians have tended to ignore soft news and disengaged citizens. But, as this book demonstrates, soft news viewers represent an untapped reservoir of unusually persuadable voters.

Media, Entertainment and Arts Alliance - The Media, Entertainment and Arts Alliance (The Alliance) is the Australian trade union and professional organisation which covers the media, entertainment, sports and arts industries. Its 36,000 members include people working in TV, radio, theatre & film, cinemas, entertainment venues, recreation grounds, journalists, actors, dancers, sportspeople, cartoonists, photographers, orchestral & opera performers as well as people working in public relations, advertising, book publishing & website production; in fact everyone who works in the industries that inform or entertain Australians.

Alliance Entertainment Corporation - Alliance Entertainment Corporation is the world's largest independent distributor of music, movies, and game software. From 1995 through 2005, Alliance Entertainment was also the parent company of All Media Guide.

Student unionism in Australia - All major Australian universities have one or more student organisations, known variously as student associations, student guilds, student unions, or student representative councils. These student-run bodies provide many services, typically including refectories and bookshops, student media and publications, academic rights advocacy, support for a variety of social, arts, political, recreational, special interest and sporting clubs and societies, and political advocacy for issues concerning students.

Socialist Alliance (Australia) - The Socialist Alliance was founded in 2001 as an alliance of socialist organisations in Australia, initiated by the Democratic Socialist Party and the International Socialist Organisation and founded along with 6 other socialist groups. The alliance grew to a point where most of its members were not members of any of the affiliate organisations, and successive national conferences moved to take the Alliance in the direction of becoming a united socialist party, following the model of the Scottish Socialist Party (which ...

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Alliance Arts Entertainment Media - Alliance Arts Entertainment Media Remaking Media This is a co-authored book of all new material on the topic of media democracy alliance arts entertainment media and activism. The authors consider the ways in which media, particularly broadcast media is made by alliance arts entertainment media and for a narrow audience of white, middle-class, heterosexual, Westerners that conform to the ideal values of the governing body. They consider how certain demographics are denied representation in the news, how they are ...

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Through reflects foreign will and that through that the answer lies in changes to television's presentation of political information. This book represents the first systematic attempt to explain this apparent paradox. By transforming political issues involving scandal or violence (such as attacks on America) into entertainment, the "soft news" media have actually captured more viewers who will now follow news about foreign crises, due to its entertainment value, even if they remain uninterested in foreign policy. This multicultural and international survey of artists' videotapes reflects the extraordinary richness and diversity of independent media art production from the United States, Europe, Latin America, Australia, and Japan. Video art's influential pioneers and major innovators--Nam June Paik, Bill Viola, Dara Birnbaum, William Wegman, Joan Jonas, Peter Campus, Vito Acconci, and the Vasulkas, for example--are at the center of the presentation. The results hold key implications for the future of American politics and foreign policy. This multicultural and international survey of artists' videotapes reflects the extraordinary richness and diversity of independent media art production from the United States, Europe, Latin America, Australia, and Japan. Video art's influential pioneers and major innovators--Nam June Paik, Bill Viola, Dara Birnbaum, William Wegman, Joan Jonas, Peter Campus, Vito Acconci, and the Vasulkas, for example--are at the center of the most provocative modes of contemporary artistic practice. The information revolution has fundamentally changed the way the mass media, especially television, covers foreign policy. Traditional news has been repackaged into numerous entertainment-oriented news programs and talk shows. Experimental narrative, media critique, technological documentary, "guerrilla television", and performance and conceptual exercises are among the many genres represented in the world--upon which this survey is based. Dynamic works by young artists and activists bring video art into the 1990s. The American public has consistently declared itself less concerned with foreign affairs in the past twenty-five years. Presenting video's current investigations alliance arts australia entertainment media.